Outside in and inside out – the Beacon and the Gallery

sunflower about to open
A sunflower is about to open in the Beacon 

On Friday 2nd November our exhibition Sugar vs the Reef? opened at Artspace, Mackay’s regional gallery. We spent the days prior to the opening installing the show with the support of the wonderful gallery staff – Tracey Heathwood (director), Alicia Stevenson (exhibitions curator), Lauren Turton (exhibitions officer), Billie Jo Ogilvie (public programs), Wanda Bennett (public programs) and the many volunteers who offer their time and energy.

installation view of the exhibition

installation view

installation view of the exhibition 2
Installation views of the exhibition 

The exhibition has been a long time coming and gives us the opportunity to connect the art community with the agriculture community at a local level. We have used the gallery space to showcase some of the components of the Watershed Botanic Gardens Land Art Project and the broader Sugar vs the Reef? project that Watershed sits within. Having an exhibition in a gallery after three years of working ‘in the field’ has  made us think carefully about how to represent the social, cultural, and environmental aspects of a wide-ranging project. We have tried to do this by zooming in and zooming out, from small details to large overviews. Also, to give a sense of what is essentially an outdoors project, we are offering artist talks both at the gallery and at the Beacon in the Botanic Gardens.

artist talk at opening of Sugar vs the Reef? at Artspace Mackay
Giving an artists talk at the opening of our Sugar vs the Reef? exhibition

Meanwhile, our dual crop of sunflowers and sugarcane in the Beacon is coming along nicely. So nicely, in fact, that the sunflowers are beginning to bloom earlier than expected. This is a consequence of the dry weather – the sunflower plants are wanting to bolt to seed to ensure the survival of the species. We bought a couple of soaker hoses – Jemal Davis, our colleague from the Mackay and District South Sea Islander Association, has dedicated much time going back and forth with his Job Active crew to move the hoses around and pull any weeds that emerge in the crop. The soil has been moistened and softened by the water and we’re now trying to find a balance between getting enough water to the plants but not so much that the tall, top-heavy sunflowers fall over in strong winds. Some of the plants are now two and a half metres tall, after only seventy days from planting the seeds!

So, the past week has been spent moving back and forth between the gallery and the Beacon, nurturing both sites towards their deadlines – the opening of the exhibition on the 2nd November and the sunflower harvest event on the 23rd November. Jeremy Smith, (Director, Community, Emerging and Experimental Arts) from the Australia Council has come to Mackay to open the exhibition. To give him a sense of the project, we took him to the Beacon on the day of the opening to give him a chance to get amongst the sunflowers.

Jeremy Smith and Lucas in the sunflower and sugarcane crop at the Beacon
Jeremy Smith and Lucas in the dual crop of sunflowers and sugarcane at the Beacon

Opening night was attended by a diverse group of Mackay residents, with farmers, Australian South Sea Islanders and elders from the Yuwibara indigenous custodians amongst the art-loving crowd. Uncle Philip Kemp gave a Welcome to Country, and we also took to opportunity during the official proceedings to present John Sweet, our environmental elder, with a new hat to tide him over the summer while his beloved hat resides in our exhibition. For children, the Hats of Mackay work has been a favourite. It provides a fun opportunity for guessing which hat on the wall belongs to which person in the video.

John Sweet dons his Akubra in our Hats of Mackay video work. His hat hangs below the video in amongst the fifteen other hats in this work.
John Sweet dons his Akubra in the Hats of Mackay video work in our exhibition. The hat itself hangs on the wall along with the fifteen other hats in this work.

Holding an exhibition at a gallery has provided us with a new platform for discussion about the role of regenerative agriculture in the sugar cane industry. The “social ecology” hand-drawn diagram that occupies an entire wall in the gallery outlines five key “problems” that we have identified since first coming to Mackay and possible “solutions” to these problems. Lucas has conceptualised this elegantly through his characteristic word-map method.

section of 'social ecology' hand drawn diagram
A section of “A social ecology of sugarcane in Central Queensland”

The word-map, in its entirety, talks about issues such as sugar provenance and the global commodity market, soil health, climate change and the Great Barrier Reef. All of these issues are inextricably tied together, which is what makes working in this field so rich and so complex. The diversity of the territory that is mapped in this work is matched by the diversity of people with whom we’ve been getting to know, work with, meet with and talk with over the past few years. The work has proved to be a thought-provoking platform for discussion.

We must pay our respects here to the work of Helen Mayer Harrison and Newton Harrison, pioneers of environmental art. They have never been afraid to discuss environmental problems and through conversation and poetic responses, they have offered solutions which can seem outlandish, yet logical and elegant. Using art as a platform for discussion means that we can visualise blue-sky thinking without the constraints of politics or economic rationalism. By offering simple, logical alternatives that seem possible, barriers to those solutions may become surmountable.

Our work in Mackay has moved constantly between indoors and outdoors: with the exception of this exhibition, our cultural events have been outdoors. The blend of culture and agriculture has been conducted around things that grow. We’ve talked, sang, worked, planted, mulched, watered, been interviewed and gathered outdoors. We’ve also talked, planned, designed, negotiated, been interviewed and worked indoors. The boundary between outdoors and indoors is porous in our world here and we move just as easily between the interior and exterior worlds of ideas and practical implementation.

Lucas, Starrett Vea Vea and Kim
Lucas, Starrett Vea Vea and Kim at the Mackay and District Australian South Sea Islander hut



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